Genesis Opera Project 1

Project: Genesis Opera Project 1

Non Guardate al Domani - Presentation

1 July 2003

Non Guardate al Domani is an opera based on fact. It tells the tale of the abduction of Aldo Moro, President of Italy's Democrazia Cristiana (Christian Democrat) party in 1978, his 55 days of captivity, and his subsequent execution. The opera is divided into four segments.

Summary

Non Guardate al DominiNon Guardate al DominiNon Guardate al Domini

Filippo del Corno, Composer (Italian);
Angelo Miotto, Librettist (Italian)
Conductor: Philip Walsh

 

 

 

Sunset with Pink Pastoral - Presentation

1 July 2003

The setting is the highways of the Arizona and Southern Utah desert. We observe several characters and their interaction with this starkly beautiful environment through their automobiles, their knees, a Greyhound bus, their sheep, an Amtrak, the Circle K. The travellers' lives intersect but never quite connect. They pass over the land but never really touch it, and the opera continues through a series of near interactions until the characters finally realize that they need to connect to the land and to a community in order to truly find home.

Summary/Synopsis

Sunset with Pink PastoralSunset with Pink PastoralSunset with Pink Pastoral

Christian Asplund, Composer (American);
Lara Candland, Librettist (American)
Conductor: Stuart Stratford

 

 

 

Whatever Happened to Zora D? - Presentation

1 July 2003

Whatever Happened to Zora D? is a lyrical drama about a fantastical love story; a tale of a great and inexplicable love in search of fulfilment, regardless of how impossible it might be. Minna, a plain, lonely librarian, is suffering from a nightmare that returns night after night. The only part of the dream she remembers is a silver scarf, an unknown woman, and fragments of a strange song she can hardly recall. In her library, a stranger leaves a book open on a table. She realises, in shock, that it is the poem of her dreams; the author's name is Zora D.

Synopsis

Whatever Happened to Zora D?Whatever Happened to Zora D?Whatever Happened to Zora D?

Whatever Happened to Zora D?

1 July 2003

Whatever Happened to Zora D? is a lyrical drama about a fantastical love story; a tale of a great and inexplicable love in search of fulfilment, regardless of how impossible it might be. Minna, a plain, lonely librarian, is suffering from a nightmare that returns night after night. The only part of the dream she remembers is a silver scarf, an unknown woman, and fragments of a strange song she can hardly recall. In her library, a stranger leaves a book open on a table. She realises, in shock, that it is the poem of her dreams; the author's name is Zora D.

Whatever Happened to Zora D? is a lyrical drama about a fantastical love story; a tale of a great and inexplicable love in search of fulfilment, regardless of how impossible it might be. Minna, a plain, lonely librarian, is suffering from a nightmare that returns night after night. The only part of the dream she remembers is a silver scarf, an unknown woman, and fragments of a strange song she can hardly recall. In her library, a stranger leaves a book open on a table. She realises, in shock, that it is the poem of her dreams; the author's name is Zora D.

5'05 secs, Audio

Sunset with Pink Pastoral

1 July 2003

The setting is the highways of the Arizona and Southern Utah desert. We observe several characters and their interaction with this starkly beautiful environment through their automobiles, their knees, a Greyhound bus, their sheep, an Amtrak, the Circle K. The travellers' lives intersect but never quite connect. They pass over the land but never really touch it, and the opera continues through a series of near interactions until the characters finally realize that they need to connect to the land and to a community in order to truly find home.

The setting is the highways of the Arizona and Southern Utah desert. We observe several characters and their interaction with this starkly beautiful environment through their automobiles, their knees, a Greyhound bus, their sheep, an Amtrak, the Circle K. The travellers' lives intersect but never quite connect. They pass over the land but never really touch it, and the opera continues through a series of near interactions until the characters finally realize that they need to connect to the land and to a community in order to truly find home.

4'44 secs, Audio

Sirius on Earth

1 July 2003

Sirius on Earth is a madcap comic opera set in an occidental metropolis, not so far into the future. Its inhabitants love, talk, and scheme against a backdrop of an oppressive and manic dictatorship; this is a world where singing the wrong song at the wrong time can deliver you to the Penultimate Punishment.

Sirius on Earth is a madcap comic opera set in an occidental metropolis, not so far into the future. Its inhabitants love, talk, and scheme against a backdrop of an oppressive and manic dictatorship; this is a world where singing the wrong song at the wrong time can deliver you to the Penultimate Punishment.

13'57 secs, Audio

Liebeslied/My Suicides

1 July 2003

Liebeslied/My Suicides is the product of an unusual collaboration between an artist, a writer, and a composer to create a different kind of opera. In 1999 the acclaimed artist Rut Blees Luxemburg created a photographic series that represents a celebration of the lovepoem/lovesong in the modern city.

Liebeslied/My Suicides is the product of an unusual collaboration between an artist, a writer, and a composer to create a different kind of opera. In 1999 the acclaimed artist Rut Blees Luxemburg created a photographic series that represents a celebration of the lovepoem/lovesong in the modern city.

6'35 secs, audio

Non Guardate al Domani

1 July 2003

Non Guardate al Domani is an opera based on fact. It tells the tale of the abduction of Aldo Moro, President of Italy's Democrazia Cristiana (Christian Democrat) party in 1978, his 55 days of captivity, and his subsequent execution. The opera is divided into four segments.

Non Guardate al Domani is an opera based on fact. It tells the tale of the abduction of Aldo Moro, President of Italy's Democrazia Cristiana (Christian Democrat) party in 1978, his 55 days of captivity, and his subsequent execution. The opera is divided into four segments.

7'47 secs, Audio

The King's Gravedigger

1 July 2003

A gravedigger works at a German cemetery, burning the corpses of the German nobility. His is a strange, solitary, subversive existence; musing on the wreckage of his life, substituting the ashes of illegal immigrants for the noblemen in the grand graves, and using the ashes of the privileged in his garden for flowers.

A gravedigger works at a German cemetery, burning the corpses of the German nobility. His is a strange, solitary, subversive existence; musing on the wreckage of his life, substituting the ashes of illegal immigrants for the noblemen in the grand graves, and using the ashes of the privileged in his garden for flowers.

4'48 secs, Audio

The Eternity Man

1 July 2003

The libretto revolves around the elusive character of Arthur Stace - a reformed alcoholic and religious ratbag/visionary who wandered the nocturnal streets of Sydney through the forties, fifties and sixties mysteriously writing the single word "Eternity" in a distinctive copperplate hand.

The libretto revolves around the elusive character of Arthur Stace - a reformed alcoholic and religious ratbag/visionary who wandered the nocturnal streets of Sydney through the forties, fifties and sixties mysteriously writing the single word "Eternity" in a distinctive copperplate hand.

8'36 secs, Audio

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