
Tarik O'Regan - fleeting, God
The productive partnership between The Sixteen and the Genesis Foundation continued with the release in May 2011 of a CD of six new choral works from three of Britain’s most exciting contemporary composers: Tarik O’Regan, Roderick Williams and Ruth Byrchmore. This is an excerpt from Tariq O'Regan's fleeting, God, commissioned by the Genesis Foundation.
Like the silence of a monastic cell, the opening of fleeting, God is absolutely calm. Over tranquil, sustained lower voices, intoning the single sound ‘ah’, the altos and sopranos add soft, almost whispered interjections, encouraging one another along. Then a radiant soprano line beams out above and sublimely intones St. Teresa’s prayer, patient, unhurried and reassuring, gradually building over warm, close-knit chords to a joyous climax. The opening calm returns, but with roles reversed – the upper voices still, the lower voices punctuating. Finally the female voices are left holding on, fading away, till the sopranos edge up to a momentary last D, slyly returning us to the point whence we started.
To learn more about this project, please visit The Sixteen's partner page.
Carrie Cracknell’s critically acclaimed production of Ibsen’s A Doll’s House will be returning to the Young Vic by popular demand this week, running from 28 March until 20 April 2013.
View media...Sound and Music have announced that Café Oto will be part of a two-year initiative exploring the public’s appetite for new music commissions.
More...